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- Published 20240206
- ISBN: 978-1-922212-92-4
- Extent: 204pp
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Stone. Tongue.
Poetryi. Evening falls, and rooms grow dark, then light. Through the open window, a cricket starts up its whirring. Steam rises from the kettle. The tea grows stronger...
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Time plays tricks
IntroductionTen years ago, the late, great cultural theorist Mark Fisher posited that our ‘montaging of earlier eras’ had reached such fever pitch that we no longer even noticed our submersion in a sea of bygones. And sitting alongside this purported cultural inertia are our increasingly divergent attitudes towards history – the far-right impulse to romanticise the past, the far-left desire to remedy its wrongs – and how they inflect our politics.
The sentimentalist
In ConversationI’ve positioned myself as somebody who’s constantly going through the trash of yesteryear with my raccoon paws and saying, ‘Wasn’t it grand?’ I think it’s more that I’m drawn to things I misunderstood rather than things that are just old, and I’m also interested in diagnosing the culture through what we loved, what we made and what we despised. It’s becoming much more clear to me the older I get.
Lines of beauty
In ConversationI studied printmaking because in the mid-’90s there wasn’t so much exciting painting happening in QCA studios, but also because I really wanted to learn new processes for my undergrad and, like most artists, I’d always painted. Painting had fallen out of fashion, and everyone was making installation, then photography and film – the new digital world reigned supreme for a decade. Now it’s all about painting.
