GR OnlineHer artwork demands that the viewer spend time with it, too. Absorbing, thinking, feeling. It’s necessary to move closer to examine clusters and individual figures, noticing both patterns and anomalies. There are areas of saturation – overlapping bodies, crowds, bottlenecks, and areas of sparseness – absence, stillness, danger. In the serene, climate-controlled space of a gallery, the viewer is invited into notions of exclusion and dislocation.