Featured in
- Published 20240507
- ISBN: 978-1-922212-95-5
- Extent: 203pp
- Paperback, ePub, PDF, Kindle compatible

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author
Revolutionary wave
Non-fictionThis was the late ’60s, early ’70s and surfing in Wales was regarded by the parent generation as delinquency. It was for losers, layabouts, rogue males. In those early days Welsh surfers numbered around one hundred, congregated on half a dozen beaches down fifteen miles of coastline west of Swansea, known as the Gower. I knew each one of those surfers by the styles they deployed on the waves. So idiosyncratic was early Welsh surfing that out on the road if you saw a car with boards on the roof coming at you, both drivers would pull over for a chat.
More from this edition
Lincoln Wimbley writes a story at 37,000 feet
FictionThen last week, in that bar. Lincoln never a big bar guy. But Professor Tim suggested, ‘Get out in the world!’ Somewhere all new. So, a bar. The bartender asked, ‘A beer?’ Lincoln hated cans. Hated bottles. Hated beer. But asked for something on draft. On tap. Explained why he was there, a first-timer, hunting for a story. Bartender laughed. Said elsewhere’s probably best. ‘None of the sad sacks here come with a happy ending.’
The octopus within
Non-fictionI’ve now watched quite a few doctors sketch my thyroid on office pads, something they all seem to love to do, relishing that butterfly shape, the two spreading wings. They do shade-hatching on the left or right lobe, colour in a dark circle to represent the tumour and draw four little dots for the parathyroid glands. I have started to look forward to this moment when a medical specialist transforms suddenly into an artist, taking pride in their drawing, picking up a special pen with a thin black nib, concentrating on making this invisible organ real to me. They are maybe unaware that through their own idiosyncratic drawing styles, they become instantly more interesting as people. They hand over the piece of paper and explain the next steps, and I take their drawings home, magnet them to the fridge beside the more exuberant pictures done by my kids, start making the necessary calls, and turn up on time to the next appointment, curious as a child in kindergarten. Which is how I first learnt that there is an octopus within.
Past-making within the present
In ConversationThe Marranbarna Dreaming story is a central story to Gudanji, and that essential story forms our beingness. My kids grew up hearing that story from when they were tiny babies – they heard it through my words and they heard it through the words of their grannies, so they could embed the story within their own sense of identity and then retell it. Both of my girls are mums now, and they retell that story to their daughters all the time, so it just becomes a normal part of who and how they are as Gudanji people.