Featured in
- Published 20220428
- ISBN: 978-1-922212-71-9
- Extent: 264pp
- Paperback (234 x 153mm), eBook

Already a subscriber? Sign in here
If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au
Share article
More from author
The watergaw
GR OnlineOne of the first poems MacDiarmid wrote, with his new name and his new sense of what was required of his existence, was ‘The Watergaw’. No doubt it came as a bolt out of the blue and required much fastening to the jinker, but it reads like a bit of the earth’s speech. It’s a burn steadily chanting over the brae, as they’d say in his part of the world.
More from this edition
My mother’s silence, my nation’s shame
MemoirON 4 FEBRUARY 1942, stripped of all identification, hands wired behind his back, my grandfather and some 160 other Australians were marched by Japanese...
Radical hope in the face of dehumanisation
In ConversationOur Elders are the epitome of these thousands of generations of existence and survival in this place, and if we’re thinking about the future of the world and our survival, we need to be learning from these people. They hold the most knowledge, the most intimate knowledge of not just surviving but of thriving and maintaining generosity in the face of all the challenges.
Supercut
In ConversationQuestioning the past is a vital part of my role as an artist. Art has the influence to shape the way we think and perceive the world, as it has throughout history. I’m motivated by the desire to improve and do better, and the same goes for how I want my art career to proceed. The need to do better in the future is predicated on the fact that to do so, we need to revisit and interrogate the past. This is especially important in a country such as Australia, founded on colonial violence and with a legacy of racism that persists today.