For Writers

Submissions

We run open calls for submissions throughout the year:

  • Non-fiction and fiction call-outs generally open four times a year and invite full submissions in response to a loose edition theme.
  • Poetry call-outs are open four times a year and invite full submissions for poetry on any subject (poetry doesn’t need to align with edition themes).
  • We occasionally open call outs for specific projects such as GR Online and the Griffith Review Emerging Voices competition.
  • Sign up to our e-news and follow us on socials for announcements on upcoming call-outs.

Griffith Review in 2026

  • Griffith Review 91: On the Money (Feb): following the money. CLOSED (poetry opening 8 Sept 2025)
  • Griffith Review 92: Lost and Found (May): in search of answers.
  • Griffith Review 93: Into the Archive (August): the secrets and surprises of the archive.
  • Griffith Review 94: Out of Office (November): clocking in for another day at the office. 

On the Money - currently closed

Poetry opening 8 September

Money talks – but it doesn’t always speak the truth. It’s also far more than a medium of exchange and a store of value: money is a status symbol, a friendship destroyer, an opportunity creator, a psychological blocker, an obsession, a dream, a curse, an albatross and an elephant in the room.

And if money makes the world go round, it’s spinning us faster than ever these days. Do we stand any chance of bridging the wealth gap? How does money influence our behaviour? What part does it play in the erosion of democracy and institutional trust? Should financial literacy be taught in schools? And does anyone actually understand crypto?

This edition of Griffith Review follows the money to tally the past, present and future of our filthy lucre.

Submit here

Writers’ guidelines

Griffith Review is a literary and current affairs journal that’s aimed at a general readership – although we’re part of a university, we’re not an academic publication. We publish work by established and emerging writers – most from Australia, some from overseas – and we curate each edition loosely around a particular theme.

We like writing that’s erudite yet accessible, provocative yet persuasive – but what’s most important to us is that our writers have the space to express their own voice.

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