My Covid dreaming

Lamb, Frankston, 25 February 2021

Featured in

  • Published 20210803
  • ISBN: 978-1-922212-62-7
  • Extent: 264pp
  • Paperback (234 x 153mm), eBook

HE WORE OFF-WHITE trainers with built-up soles. The caved-in line of his jaw told me he had no teeth of his own. The other one, with honey-brown skin, held numerous bags and an ancient boom box. They met outside the bunker-like train station, arms raised in mutual salutation, no Renaissance princes more deferential. How long since they had seen each other? A day? An hour? I watched them asseverate in clown-show while above the sky grew mottled and spat rain. Loss gathered about us like clouds of stone. COVID-19 ground to one of its many temporary halts.

In two hours’ time, Lamb by Jane Bodie would open at the Frankston Arts Centre and become the first Victorian play to set off on an interstate tour in 2021. In this interstitial moment – neither a beginning nor a middle nor an end, but an impenetrable mix of all three temporal states – I sat on a Frankston street corner pondering all I had seen in the weeks gone by. And what it meant.

Already a subscriber? Sign in here

If you are an educator or student wishing to access content for study purposes please contact us at griffithreview@griffith.edu.au

Share article

More from author

More from this edition

Aftermath

MemoirIN THE AFTERMATH of 2020 – a year that outstripped description, so broad and deeply felt were its tragedies and crises – I stood on the...

Opposite day

PoetryToday is opposite day yesterday was Thursday, an ordinary day but today – is different the poor are rich the rich fight over a pot of boiled rice by...

Musique concrète

InterviewThe original brutalism is the projection, in concrete, of strong social ideals. It’s also the architectural sedimentation of a given period: the hopeful ’50s up to the ’70s. But to me more personally, it’s a totally alien form of architecture: in my hometown, most of the buildings are small and made of wood. So raw concrete, sign me up! I was hooked very early on: I remember very fondly some of the brutalist buildings in Halifax, Nova Scotia, from my travels in Canada as a kid.

Stay up to date with the latest, news, articles and special offers from Griffith Review.